Star Trek / Campaign anthology

Star Trek Motion Campaigns

Clio Entertainment Silver Award, 2022

Still art. Moving worlds.

Motion design • Compositing • Digital OOH

Projects
Strange New Worlds + Picard
My role
Motion design / compositing / editorial pacing / digital OOH adaptation / finishing
Source
Supplied campaign art + green-screen talent footage

Across Strange New Worlds and Picard, I turned supplied campaign art and green-screen talent footage into motion made for screens in the real world: layered character vistas, animated billboards and Starfleet arrivals beamed into the streets of Los Angeles.

01

Picard Season 2 / Bus Shelter

The street became the set.

Working with senior designer Robin Spehar, I scouted Los Angeles bus-shelter sites, photographed day and night plates from the viewing angles, then helped composite green-screen talent footage into those environments. The campaign received a 2022 Clio Entertainment Silver Award.

My role
Location scouting / day + night plate photography / compositing
Recognition
2022 Clio Entertainment Silver Award
Location plate → compositing → result
02

Strange New Worlds / Vistas

One frame. A whole world behind it.

Starting with supplied key art, I separated each scene into layers, rebuilt it in Z-space and added camera movement, atmosphere and light. Hemmer reveals the construction; Ortegas and Spock show the range.

My role
Layer separation / Z-space builds / camera animation / atmosphere + light
Source
Supplied key art
Hemmer / layer build
Hemmer / finished world
Ortegas / finished world
Spock / finished world
03

Strange New Worlds / Shutter Drag

Captured in camera. Built for motion.

Starting with supplied shutter-drag portraits, I shaped a digital OOH system around the photography; adding atmospheric wisps, particles and title motion without losing the raw streaks that made the images work.

My role
Digital OOH motion system / particles / atmosphere / title motion
Source
Supplied shutter-drag portraits
Pike shutter-drag campaign displayed on an outdoor screen.
Contextual placement
Pike square-format shutter-drag campaign frame.
Pike / 1:1
Spock square-format shutter-drag campaign frame.
Spock / 1:1
Uhura square-format shutter-drag campaign frame.
Uhura / 1:1
Una square-format shutter-drag campaign frame.
Una / 1:1
M'Benga square-format shutter-drag campaign frame.
M'Benga / 1:1
Ortegas square-format shutter-drag campaign frame.
Ortegas / 1:1
La'an square-format shutter-drag campaign frame.
La'an / 1:1
Chapel square-format shutter-drag campaign frame.
Chapel / 1:1
Pike / full motion
04

Picard Season 2 / Countdown

From one month to one day.

Using supplied green-screen talent footage, I built layered character composites and animated countdown variants across a family of characters, formats and digital OOH placements; including Times Square.

My role
Character composites / motion design / countdown versioning / digital OOH delivery
Source
Supplied green-screen talent footage
Layered composite / process
16:9 campaign final
Hudson Yards / ultrawide delivery

The outcome

Campaign art rebuilt to move at street scale.

Picard / campaign at street scale
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